British Neo-Romanticism
SOLDDavid Evans (1929–1988):
Gertrude’s Pencil, circa 1978
Framed (ref: 526)
Signed and inscribed: ‘Defamey’
Watercolour, 39 3/4 x 28 3/4 in. (101 × 73 cm.)
See all works by David Evans watercolour Highlights of 20/21 Art Fair leisure sport
Provenance: Redfern Gallery, London
Exhibited: Watercolours, exh. cat., Redfern Gallery, London, 1978 (no. 27)
In a fine gilded oak flat section frame
Evan’s early work consisted mostly of photomontages and mural paintings. His large-scale watercolours and gouaches date from 1967 onwards, and many of them were exhibited at the series of solo exhibitions held at the Redfern Gallery from 1979. The influence of Edward Burra is obvious, but Evans’ work remained highly distinctive and the subject matter contemporary. The landscape of Suffolk, where Evans lived, bears no relation to this curiously titled surrealist landscape, the inspiration for which is more likely to be imagined than observed.
We are grateful to Michael Barker for assistance.
Exhibited: Watercolours, exh. cat., Redfern Gallery, London, 1978 (no. 27)
In a fine gilded oak flat section frame
Evan’s early work consisted mostly of photomontages and mural paintings. His large-scale watercolours and gouaches date from 1967 onwards, and many of them were exhibited at the series of solo exhibitions held at the Redfern Gallery from 1979. The influence of Edward Burra is obvious, but Evans’ work remained highly distinctive and the subject matter contemporary. The landscape of Suffolk, where Evans lived, bears no relation to this curiously titled surrealist landscape, the inspiration for which is more likely to be imagined than observed.
We are grateful to Michael Barker for assistance.
